SLIDE evokes a Sioux encampment plunged into half-light where everything would be glides, furtive movements, beams of light, fleeting shadows and kaleidoscopic images. The installation was posed at the Musiques Action festival at Vandoeuvre-les Nancy in May 1998, at the Ecole des Beaux-Arts in Avignon in July 1999, at the Jardin Moderne in Rennes (France) in May 2001 and at the Chapelle Saint-Eman of Chartres (France) in July 2001.
8 record players mounted in an altar play 8 sound loops.
Circular movement and fascination (or satire) with the decorum of places of worship. Les Discônes was performed at the Gare aux Oreilles festival in 2005.